Photographer Laure Sée at Anthem – Fashion Editor Mathilde Camps – Model Louise Lefebure at Viva Models Management – Makeup by Yusaka Nakahara at Walter Schupfer Management – Hair by Bastien Zorzetto at Walter Schupfer Management – Casting Director Océane Lucas – Interview by Melania Musci
To begin with, how did your modelling career start? Was it something you had always dreamt of, or did it happen by chance?
It started when I was still in high school. I was scouted in my hometown and soon after sent to Paris and New York City for shows. I hadn’t planned any of it, but I embraced the opportunity — also thanks to my parents, who were incredibly supportive and travelled with me everywhere when I was still underage.
If, in a sort of sliding‑doors moment, you had never shown up to your first casting, where do you think you’d be today?
If all of this hadn’t happened, I would’ve kept studying — probably architecture, which was what I had an interest in at the time. The funny thing is that I’m now in design school, so it’s never too late! (Smiles, E.D.)
Coat Alaïa / Total Look Ferragamo
Now that you’ve been in the fashion industry for a while, what would you change about it if you had a magic wand?
I think the industry is slowly moving in that direction, but I really wish fashion were more conscious in all its aspects. Considering the impact it has on the planet, we truly need to rethink the way we do fashion. There are still so many things that could be done differently.
And speaking of change, in what ways do you feel you’ve grown or improved thanks to this job?
I’ve learnt so much from this job. It’s not only about being professional and good at what you do — it’s the lifestyle that comes with it that makes you grow. You become independent very early, you learn fluent English, you travel and meet people from different backgrounds and cultures. And of course, being in front of the camera teaches you a lot about yourself: how to move, how to express emotion. You gain real confidence.
Total Look Miu Miu – Socks Burlington / Total Look Prada
Trench Coat Saint Laurent by Anthony Vaccarello / Total Look Jacquemus
Walking for Chanel Métiers d’Art in New York must have been incredible. Would you tell us a little bit about what happened behind the scenes?
That backstage was something. Because of the venue and the four different lineups — coming from the street, from the platform, from inside the train — the whole show felt like a real choreography. But as always when I work with Matthieu Blazy, the mood was relaxed and joyful. No stress, just pure enjoyment. That’s one of the things I love most about working with him and his team: they want you to enjoy the moment, and you can see the girls having a genuinely good time on the runway.
When you first started modelling, did you ever imagine you’d reach a milestone like that?
I didn’t know I’d walk for Chanel, but I definitely dreamt of it. Being French, Chanel is such an iconic house with such a rich heritage. Having had the chance to be part of its renaissance with Matthieu is a privilege.
Total Look Courrèges / Total Look Ferragamo
If you could talk to your younger self on the day of your first casting, what advice would you give her?
Stay true to yourself. Navigating this industry can be a little confusing sometimes, but I think the most important thing is that you don’t lose what makes you you.
Do you have any beauty rituals you follow before a fashion show?
I keep a very minimal routine, based on natural and simple formulas developed by Amalthea, a French beauty brand I’ve been using for a few years now.
Total Look Miu Miu – Socks Burlington / Total Look Balenciaga
And what about superstitions? Do you have any lucky rituals?
I have to say that I’m not really into superstitions. I believe that the effort you put into things and the support you receive from the people you love are what truly helps you reach your goals.
Last question. What’s the one thing that can never be missing from your post‑shooting routine?
My key ingredient to truly recover after a shoot is a good night’s sleep.